Granulator III – The latest iteration of Robert Henke’s granular instrument now has MPE capability, giving you expressive control over parameters like note bend, vibrato and glissando.Roar’s three saturation stages can be used in series, parallel, or even in mid/side and multiband configurations – and it comes equipped with an extensive modulation matrix. Roar – Create everything from subtle and precise mastering-grade warmth to wild and unpredictable sound degradation with Live’s new coloring and saturation effect.Meld – A bi-timbral, MPE-capable instrument designed for deep sound-shaping that generates a wide array of textural and experimental sounds with two easy-to-use macro oscillators.Tuning Systems – Work in tunings outside the 12-tone equal temperament system, and access them with Live’s devices as well as any MPE-capable plugin.Then edit clips using scale highlighting as a guide, use the clip scale to transform and generate musical ideas, or sync the scale of MIDI devices and instruments to the clip being played. Keys and Scales – Choose a key in Live’s Control Bar to see its notes in any clip you create. Stretch, split, chop or join notes in new ways shape the velocity of notes more easily transpose them into a scale or add intervals chromatically or in key. MIDI Editor improvements – Rearrange the order of a selection of notes by pitch, velocity or duration.Add ornaments, connect successive notes and chords, simulate guitar strums, or pick from a set of generative algorithms to conjure up melodies, rhythms and chords that follow constraints you define. MIDI Transformations and Generators – Create a variety of simple or complex variations to your MIDI clips.Ableton today announced Live 12, a major update that introduces new MIDI tools, support for alternate tunings, new and updated instruments, workflow improvements, new sounds and more.
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